Let me help you win the writing and publishing game without sacrificing your identity, values, and style.

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If you are a writer who…

feels like they have to hide parts of their identity to get published
wants to write novels that go hard and shake up the literary scene
tackle issues like race, gender, politics, etc. in their fiction with fervor
struggles with planning, polishing, pitching, and prospering as a writer
identifies as BIPOC, LGBTQ+, neurodivergent, and/or marginalized in any way
has attended a prestigious creative writing workshop, but wants more guidance
has attended or graduated from an MFA program, but still feels like they’re floundering
…then chances are good that we’re good a fit.

Chances are also good if you like any of the following books.

Chances are even better if any of this sounds familiar to you.

You were appalled to learn that over 70% of people working in publishing identify as white*.

You’ve been made to feel othered in your creative writing workshops or writing groups.

You were once told that your writing is beautiful, but it doesn’t quite make sense.

You were banned from writing genre fiction for school assignments.

You were told that writing novels doesn’t make “real” money.

* This stat comes from Lee and Low’s Diversity Baseline Survey.

All the above happened to me, and I’m willing to bet it happened to you, too.

Karen A. Parker at Yellowstone National Park, 2007

I’ve wanted to be a novelist since I was ten years old. I scribbled in any journal I could find, read the occasional fantasy book, and fell in love with all sorts of fantastical, non-Western stories that I watched on television such as anime like Pokemon, Yu-Gi-oh!, and Sailor moon.

I did this because writing helped me take my thoughts out of my head and encase them between paper for later study and reflection. It helped me cope with my anxiety when cognitive behavioral therapy and other coping strategies couldn’t.

I was really good at writing

until, somehow, I wasn’t.

The moment I got into my first college-level creative writing course, I was made to feel ashamed and othered for wanting to write so-called “genre" fiction.

I also read little to no work from other BIPOC authors—especially from those who were like me as a Black, queer, nonbinary, and neurodivergent speculative fiction writer.

In essence, I had not been celebrated or acknowledged as a writer or scholar. I had been disconnected from my literary and cultural heritage as the price of academic excellence and prestige.

So, yeah. I’ve been where you are.

And I’m here to make it right.

Because you’ve worked hard to be as good of a writer as you are right now. You’ve read all the books, written in all those journals, and you’ve made it to the big leagues—an MFA program or a prestigious creative writing workshop, maybe.

And yet, you’re forced to sit in silence while your writing is being ripped to shreds. You’re told that you can’t write speculative or genre fiction because it's not sophisticated and beautiful like literary fiction is.

Maybe even after you've graduated from college or that MFA program, you fear that you'll never be able to write the story you actually want to write. You have to water it down or maybe whitewash it. You can't stand the thought of selling out, but what else can you do? It's their game, so that means you have to play by their rules, right?

Nope. Absolutely not.

After graduating from college, I learned more about mindfulness and meditation as a way to compassionately work with my anxious monkey mind. Then, I lived and worked in Gifu, Japan, for three years as an assistant language teacher where I developed a deeper appreciation for nature, spirituality, and Secular Buddhism.

I also fell in love with coaching because I got to help students tell their stories for their English speech contests and watch them take pride in their lives.

Upon returning to the United States, I not only graduated from UC Riverside’s Palm Desert MFA program with a 4.0 GPA and a POC-coded, queer-normative, epic fantasy novel as my creative thesis. I also reconnected with my literary and cultural heritage through intensive study of the African speculative literary diaspora and earned a perfect score on my graduate lecture.

And, I became an Author Accelerator-certified fiction book coach so that I could help other systemically oppressed storytellers feel seen, heard, and empowered in any space that they’re in.

The writing and publishing game is rigged, and I know how to win it.

Because, here’s the thing about being a systemically oppressed storyteller.

For far too long, both academia and the publishing industry have excluded marginalized voices in speculative fiction from the greater conversations we should be having about them and their work at large.

I am especially compelled to be a book coach for systemically oppressed storytellers of speculative fiction like myself because I know exactly what it’s like to be disconnected from one’s literary and cultural heritage and to have to pick up the pieces when no one else will.

Our voices matter.

Our stories matter.

Yet at every turn,

we’re silenced.

No. Not anymore. Not on my watch.

Your creative writing teachers in academia have failed you because they refuse to decolonize their pedagogy and wish to maintain the inequitable status quo.

The publishing industry hasn't been decolonized either because they only want stories that they know they can sell, not just stories from “new” and “emerging” voices” like they say they do.

You deserve to tell the story you want to tell without sacrificing your identity and your creative spark—without selling out and being miserable.

I mean, sure.

You could write a “sell-out” book and maybe get rich.

But would you be happy with it?

I don’t think you’d be happy with it.

Because I know how much you love storytelling.

I see how important it is for you to honor your voice.

Your brilliance, hard work, and determination—It's in every systemically oppressed storyteller of speculative fiction who has been censored, stifled, and pushed out of a world that wasn’t designed for them in mind.

That’s why through anti-racist pedagogy, encouragement, equitable feedback methods, and mindfulness principles, I help my clients not only plan, polish, and pitch their novels to literary agents or help them self-publish if they so choose.

I also help them become more confident within their own communities so that they might become stewards of past, present, and future storytellers.

So, why not work with someone who sees you for the amazing person you really are?

Someone that's going to honor you instead of silence you?

Someone that's going to encourage you instead of stifle you?

Someone that's going to empower you instead of exclude you?

Karen took the time to get to know me and my project holistically. They were honest but also compassionate, centring my specific context as a writer. Working with them helped me figure out how to weave my voice and my values together in a really cool way that's very encouraging to me.

Samantha Garner, author of The Quiet is Loud and the Inaugural Captured Phantoms "Pay It Forward" Scholarship Award Recipient
Karen's knowledge of the publishing industry is comprehensive, and they keep a well-informed pulse that is invaluable to their coaching skills and services. They provided me with insightful information, resources, and suggestions for my current career as a writer and aspiring editor.

Francesca Jimenez, Writer, Essayist, and Novelist
Karen is so approachable. Before working together, I was worried a seasoned writer like me shouldn’t have the questions I was having. Karen made me feel valid, made sure every one of those questions was answered, and renewed my confidence in myself.

Courtney Hunter-Stangler, Author of Sentience & UC Riverside MFA Graduate
For two of my books now, Karen has polished my raw first drafts to a gleam. They deliver invaluable critique on plot, characters, theme and targeted areas for sensitivity reads, all with professionalism and encouragement.

Julia Laurel, Author and Artist
Karen gives wonderfully in-depth edits with clear and empowering suggestions. Their edit letter was professional, insightful, and made me excited to dive back into my draft. Their in-text comments gave great in-the-moment insights and overall chapter suggestions. I can't recommend them enough and will definitely be working with them in the future!

Katta Kis, Author of the Pagans and Pop Stars series

Let me help you win the writing and publishing game without sacrificing your identity, values, and style.

If you are a writer who…

feels like they have to hide parts of their identity to get published

wants to write novels that go hard and shake up the literary scene

tackle issues like race, gender, politics, etc. in their fiction with fervor

struggles with planning, polishing, pitching, and prospering as a writer

identifies as BIPOC, LGBTQ+, neurodivergent, and/or marginalized in any way

has attended a prestigious creative writing workshop, but wants more guidance

has attended or graduated from an MFA program, but still feels like they’re floundering

…then chances are good that we’re good a fit.

Chances are even better if any of this sounds familiar to you.

You were appalled to learn that over 70% of people working in publishing identify as white*.

You’ve been made to feel othered in your creative writing workshops or writing groups.

You were once told that your writing is beautiful, but it doesn’t quite make sense.

You were banned from writing genre fiction for school assignments.

You were told that writing novels doesn’t make “real” money.

All the above happened to me, and I’m willing to bet it happened to you, too.

I’ve wanted to be a novelist since I was ten years old. I scribbled in any journal I could find, read the occasional fantasy book, and fell in love with all sorts of fantastical, non-Western stories that I watched on television such as anime like Pokemon, Yu-Gi-oh!, and Sailor moon.

I did this because writing helped me take my thoughts out of my head and encase them between paper for later study and reflection. It helped me cope with my anxiety when cognitive behavioral therapy and other coping strategies couldn’t.

I was really good at writing

until, somehow, I wasn’t.

The moment I got into my first college-level creative writing course, I was made to feel ashamed and othered for wanting to write so-called “genre" fiction.

I also read little to no work from other BIPOC authors—especially from those who were like me as a Black, queer, nonbinary, and neurodivergent speculative fiction writer.

In essence, I had not been celebrated or acknowledged as a writer or scholar. I had been disconnected from my literary and cultural heritage as the price of academic excellence and prestige.

So, yeah. I’ve been where you are.

And I’m here to make it right.

Because you’ve worked hard to be as good of a writer as you are right now. You’ve read all the books, written in all those journals, and you’ve made it to the big leagues—an MFA program or a prestigious creative writing workshop, maybe.

And yet, you’re forced to sit in silence while your writing is being ripped to shreds. You’re told that you can’t write speculative or genre fiction because it's not sophisticated and beautiful like literary fiction is.

Nope. Absolutely not.

I also fell in love with coaching because I got to help students tell their stories for their English speech contests and watch them take pride in their lives.

And, I became an Author Accelerator-certified fiction book coach so that I could help other systemically oppressed storytellers feel seen, heard, and empowered in any space that they’re in.

The writing and publishing game is rigged, and I know how to win it.

Because, here’s the thing about being a systemically oppressed storyteller.

For far too long, both academia and the publishing industry have excluded marginalized voices in speculative fiction from the greater conversations we should be having about them and their work at large.

I am especially compelled to be a book coach for systemically oppressed storytellers of speculative fiction like myself because I know exactly what it’s like to be disconnected from one’s literary and cultural heritage and to have to pick up the pieces when no one else will.

Our voices matter.

Our stories matter.

Yet at every turn,

we’re silenced.

No. Not anymore. Not on my watch.

Your creative writing teachers in academia have failed you because they refuse to decolonize their pedagogy and wish to maintain the inequitable status quo.

The publishing industry hasn't been decolonized either because they only want stories that they know they can sell, not just stories from “new” and “emerging” voices” like they say they do.

You deserve to tell the story you want to tell without sacrificing your identity and your creative spark—without selling out and being miserable.

I mean, sure.

You could write a “sell-out” book and maybe get rich.

But would you be happy with it?

I don’t think you’d be happy with it.

Because I know how much you love storytelling.

I see how important it is for you to honor your voice.

Your brilliance, hard work, and determination—It's in every systemically oppressed storyteller of speculative fiction who has been censored, stifled, and pushed out of a world that wasn’t designed for them in mind.

That’s why through anti-racist pedagogy, encouragement, equitable feedback methods, and mindfulness principles, I help my clients not only plan, polish, and pitch their novels to literary agents or help them self-publish if they so choose.

I also help them become more confident within their own communities so that they might become stewards of past, present, and future storytellers.

So, why not work with someone who sees you for the amazing person you really are?

Someone that's going to honor you instead of silence you?

Someone that's going to encourage you instead of stifle you?

Someone that's going to empower you instead of exclude you?

Karen took the time to get to know me and my project holistically. They were honest but also compassionate, centring my specific context as a writer. Working with them helped me figure out how to weave my voice and my values together in a really cool way that's very encouraging to me.

Karen's knowledge of the publishing industry is comprehensive, and they keep a well-informed pulse that is invaluable to their coaching skills and services. They provided me with insightful information, resources, and suggestions for my current career as a writer and aspiring editor.

Karen is so approachable. Before working together, I was worried a seasoned writer like me shouldn’t have the questions I was having. Karen made me feel valid, made sure every one of those questions was answered, and renewed my confidence in myself.

For two of my books now, Karen has polished my raw first drafts to a gleam. They deliver invaluable critique on plot, characters, theme and targeted areas for sensitivity reads, all with professionalism and encouragement.

Think we’re a good fit?

See if book coaching or editing is right for you.